SDCC 2011: I premi Eisner 2011

Come di consueto il Comic-Con International di San Diego ha ospitato la premiazione più prestigiosa del fumetto americano e tra le più ambite al mondo: gli Eisner Award.

Ecco di seguito tutti i vincitori delle varie categorie:

Best Short Story: Post Mortem, di Greg Rucka e Michael Lark, in I Am an Avenger #2 (Marvel)

Best Single Issue (or One-Shot): Hellboy: Double Feature of Evil, di Mike Mignola e Richard Corben (Dark Horse)

Best Continuing Series: Chew, di John Layman e Rob Guillory (Image)

Best Limited Series: Daytripper, di Fábio Moon e Gabriel Bá (Vertigo/DC)

Best New Series: American Vampire, di Scott Snyder, Stephen King, e Rafael Albuquerque (Vertigo/DC)

Best Publication for Kids: Tiny Titans, di Art Baltazar e Franco (DC Comics )

Best Publication for Teens: Smile, di Raina Telgemeier (Scholastic Graphix)

Best Humor Publication: I Thought You Would Be Funnier, di Shannon Wheeler (BOOM! Studios)

Best Anthology: Mouse Guard: Legends of the Guard, a cura di Paul Morrissey e David Petersen (Archaia)

Best Digital Comic: Abominable Charles Christopher, di Karl Kerschl

Best Reality-Based Work: It Was the War of the Trenches, di Jacques Tardi (Fantagraphics)

Best Graphic Album — New: Return of the Dapper Men, di Jim McCann e Janet Lee (Archaia), e Wilson, di Daniel Clowes (Drawn & Quarterly)

Best Graphic Album — Reprint: Wednesday Comics, a cura di Mark Chiarello (DC Comics)

Best Adaptation from Another Work: The Marvelous Le of Oz, di L. Frank Baum, adattamento di Eric Shanower e Skottie Young (Marvel)

Best Archival Collection/Project—Strips: Archie: The Complete Daily Newspaper Strips, 1946–1948, di Bob Montana, a cura di Greg Goldstein (IDW Publishing)

Best Archival Collection/Project — Comic Books: Dave Stevens’ The Rocketeer Artist’s Edition, a cura di Scott Dunbier (IDW Publishing)

Best U.S. Edition of International Material: It Was the War of the Trenches, di Jacques Tardi (Fantagraphics)

Best U.S. Edition of International Material — Asia: Naoki Urasawa’s 20th Century Boys, di Naoki Urasawa (VIZ Media)

Best Writer: Joe Hill, per Lock & Key (IDW Publishing)

Best Writer/Artist: Darwyn Cooke, per Richard Stark’s Parker: The Outfit (IDW Publishing)

Best Penciler/Inker or Penciler/Inker Team: Skottie Young, per The Marvelous Le of Oz (Marvel)

Best Painter/Multimedia Artist (interior art): Juanjo Guarnido, per   Blacksad (Dark Horse)

Best Cover Artist: Mike Mignola, per Hellboy, Baltimore: The Plague Ships (Dark Horse)

Best Coloring: Dave Stewart, per Hellboy, BPRD, Baltimore, Let Me In (Dark Horse); Detective Comics (DC); Neil Young’s Greendale, Daytripper, Joe the Barbarian (Vertigo/DC)

Best Lettering: Todd Klein, per Fables, The Unwritten, Joe the Barbarian, iZombie (Vertigo/DC); Tom Strong e the Robots of Doom (WildStorm/DC); SHIELD (Marvel); Driver for the Dead (Radical)

Best Comics-Related Periodical/Journalism: Comic Book Resources, prodotto da Jonah Weile

Best Comics-Related Book: 75 Years of DC Comics: The Art of Modern Mythmaking, di Paul Levitz (TASCHEN)

Best Publication Design: Dave Stevens’ The Rocketeer Artist’s Edition, a opera di Reall Dahlk (IDW Publishing)